Studier af fasaner by Niels Larsen Stevns

Studier af fasaner 1864 - 1941

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drawing, paper, pencil

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drawing

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landscape

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figuration

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paper

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pencil

Editor: Here we have "Studies of Pheasants" by Niels Larsen Stevns, created sometime between 1864 and 1941, a pencil drawing on paper. It feels almost like a glimpse into the artist's sketchbook, very immediate. What do you see in this piece, considering its historical context? Curator: It's fascinating how these studies capture a fleeting moment. Considering the period, and the rise of naturalism and realism, the artist likely aimed to represent the natural world authentically. These sketches could be preparatory work, part of a larger project intended to depict rural life. Were such depictions embraced or did the socio-political environment favour different artistic subjects? Editor: That's interesting! I hadn’t thought about it as a statement about realism. I was focused on the simple act of observing the animals. Curator: Think about it. The late 19th century witnessed increasing urbanization. Artists documenting rural life could have been seen as preserving a vanishing way of life or perhaps idealizing it in contrast to industrialization. Do you think that perspective affects our contemporary understanding? Editor: Absolutely. Now I’m seeing these studies as more than just simple sketches. The act of recording the pheasants feels like it could be an act of cultural documentation. They aren’t simply beautiful birds; they become symbols of a lifestyle. Curator: Precisely. And think about where this is housed – the Statens Museum for Kunst. Placing these ‘studies’ in a museum context elevates them, transforming what may have started as observational exercises into valuable artifacts that reflect specific historical and cultural values. The presentation contributes to the work's evolving significance. Editor: That really puts it in perspective. It's more than just art; it’s a record shaped by history and the institutions that preserve it. Thanks! Curator: My pleasure. Examining art through the lens of its reception adds layers of meaning, demonstrating the ever-evolving relationship between art, culture, and society.

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