Wandering minstrels dressed as nuns (utabikuni) c. 1716 - 1736

Curator: Standing before us is "Wandering Minstrels Dressed as Nuns," also known as Utabikuni, a woodblock print crafted circa 1716-1736 by Kondo Katsunobu. It resides here at The Art Institute of Chicago. Editor: Well, my initial reaction? There's a beautiful solemnity, but the whole thing is just humming with playful mischief, isn't it? The caricatured figures certainly bring a subtle satirical bite. Curator: Exactly. The image depicts women disguised as Buddhist nuns, the utabikuni. Historically, they were wandering entertainers, often associated with performance but their activities were not always so devout! Editor: Ah, so the image becomes this beautiful tension, a space between genuine spirituality and something…else? It's delicious! That woman with the big hat, leading the way... she just radiates confidence. Curator: The hat, or kasa, certainly obscures her identity, lending an air of mystery and intrigue. This image reflects a wider trend within the ukiyo-e tradition—revealing hidden dimensions in plain sight, a little peek at otherness perhaps? The clothes, of course, speak to religious symbolism. Editor: And the children trailing behind with boxes suggest they are preparing for or departing a performance? I’m just fascinated with how clothing serves as both disguise and signal here. It speaks volumes about visibility, maybe even vulnerability? Curator: It is a print brimming with cultural significance. This imagery highlights both societal and religious nuances during this era in Japan. It's not just about aesthetics; it speaks to evolving socio-religious perceptions of female roles within Edo period Japan. Editor: This artwork certainly provokes one to question how things might have appeared against reality! It offers layers, it tickles your mind and sets off toppling the neat little boxes within! Curator: Absolutely. I think what’s intriguing about this particular Katsunobu piece is it gives one such a clear picture of cultural fluidity. Editor: And what better way than through tricksters and wandering nuns?