[no title] by  Gabriel Orozco

[no title] 2002

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Dimensions: image: 200 x 165 mm

Copyright: © Gabriel Orozco, courtesy Marian Goodman Gallery, NY | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: So, this untitled print by Gabriel Orozco presents a square of mottled grey. It's simple, almost like a minimalist study in texture. What am I missing? What do you see in this piece? Curator: I see a challenge to our notions of value and visibility. Orozco often engages with the overlooked aspects of urban life. How does this seemingly mundane image of texture make you think about the socio-political implications inherent in choosing such a subject? Editor: I hadn't considered that! So, it's about making the invisible visible, giving importance to the everyday? Curator: Precisely. The neutrality of the square forces us to confront our own biases and assumptions about what constitutes "art." It’s a question of power, isn't it? Who decides what we see and value? Editor: That’s really powerful. It's more than just a texture; it’s a statement. Curator: Exactly. Art becomes a mirror reflecting our own cultural conditioning.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/orozco-no-title-p78782

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tate 1 day ago

This is one of a suite of twelve prints in a portfolio entitled Polvo Impreso meaning ‘printed dust’. The images were created by pressing layers of lint onto soft ground etching plates and printing the resulting texture, using the chine collé technique, onto natural Gampi (a very thin paper) laid on Fabriano Tiepolo paper. The portfolio was printed by Jacob Samuel, Santa Monica, USA and published by the artist and Editions & Artists’ Books Johan Deumens, Heemstede, the Netherlands. Tate’s copy is the twenty-second in the edition of twenty-five plus seven sets of artist’s proofs. Ten copies are bound books; the remaining fifteen are in loose portfolios, presented in a box. Tate’s is one of the loose portfolios.