Dimensions: image: 200 x 165 mm
Copyright: © Gabriel Orozco, courtesy Marian Goodman Gallery, NY | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is a print by Gabriel Orozco, simply titled "[no title]". Its grainy texture is striking. What symbols or deeper meanings do you find in this image? Curator: The texture certainly speaks, doesn't it? It resembles a weathered stone, laden with marks of time and perhaps a primordial surface. Consider what qualities we associate with stone: permanence, endurance, memory. Editor: So, this seemingly simple image actually evokes complex ideas about history and time? Curator: Indeed. The lack of color directs us towards the essence of the material, highlighting its inherent symbolism of steadfastness, but also perhaps of erosion and loss. It’s a reflection on time’s passage. Editor: I see, it makes you think about the ephemeral vs. the eternal. Thanks. Curator: Precisely! Thank you.
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This is one of a suite of twelve prints in a portfolio entitled Polvo Impreso meaning ‘printed dust’. The images were created by pressing layers of lint onto soft ground etching plates and printing the resulting texture, using the chine collé technique, onto natural Gampi (a very thin paper) laid on Fabriano Tiepolo paper. The portfolio was printed by Jacob Samuel, Santa Monica, USA and published by the artist and Editions & Artists’ Books Johan Deumens, Heemstede, the Netherlands. Tate’s copy is the twenty-second in the edition of twenty-five plus seven sets of artist’s proofs. Ten copies are bound books; the remaining fifteen are in loose portfolios, presented in a box. Tate’s is one of the loose portfolios.