Doos behorend bij een bronzen penning by Anton Scharff

Doos behorend bij een bronzen penning 1900

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metal, photography

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studio photography

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product studio photography

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product shot

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still-life-photography

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circular oval feature

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3d printed part

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metal

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photography

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product design photgrpaphy

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geometric

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white focal point

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metallic object render

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product mock up

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product photography

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decorative-art

Dimensions diameter 7 cm, depth 1.1 cm

Editor: This is "Doos behorend bij een bronzen penning," or Box belonging to a bronze medal, from 1900 by Anton Scharff, and the materials include metal and photography. It’s…smaller than I imagined? Very delicate. It looks like it could house something quite precious. What’s your take on it? Curator: My eye is drawn to the concentric circles. Consider the mandala, an ancient symbol for wholeness, the cosmos. Could this box be designed around a similar principle? It's an enclosure, literally, but what is it meant to contain, spiritually and symbolically? Editor: That’s fascinating, I hadn’t considered the spiritual element at all. I was focused on its practical use. Curator: Think about reliquaries—containers that hold sacred objects. While this box might not be for a religious relic, it's intended to preserve *something* of value, wouldn’t you agree? That medal within had significance, purpose, perhaps to the owner and the society in which he/she lived. What do you imagine that might have been? Editor: A symbol of achievement? Commemoration? The person who owned this box wanted to make sure that whatever the medallion meant would not be forgotten. It has a quiet sort of power, I guess. Curator: Indeed. Everyday objects are invested with profound emotional, cultural, even psychological importance. Even this small, unassuming container allows us a glimpse into the enduring human need to remember, to cherish, and to give weight to symbolic meaning. Editor: I’m so glad you pointed out the symbol aspect. I will definitely look closer at these smaller works, not just focus on paintings! Curator: Exactly! There are entire cultural narratives and histories encoded in such visual forms, if only we know how to read them.

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