metal, sculpture
neoclacissism
metal
sculpture
Dimensions diameter 6.8 cm, depth 2.5 cm
Curator: Well, isn't that something? I am seeing the circular patterns. Almost makes me think of a portal. Editor: Today we’re looking at a metal container—it’s described as the “Box belonging to a pewter medal,” crafted by Johann Thomas Stettner in 1813. It's classified as sculpture, reflecting a Neoclassical style. Curator: Neoclassical... that would explain the simplicity of form, the pursuit of…ideal form. Though, the patina is talking more history to me. That gorgeous bronze patina makes me imagine hands through time opening this piece, their thoughts all unknown, to reveal and maybe feel connected. Editor: That sense of touch and time is precisely what the Neoclassical was intended to evoke. It aimed to link the present with the values of antiquity – a visual embodiment of history and moral instruction through simplicity. This container, although practical, serves as a small, portable monument. I can see how the metal box became another symbolic carrier of values and political ideas. How powerful it could be depending on who used the metal in what manner. Curator: Did they engrave patterns so similar, inspired by architecture? The patterns radiate but feel quiet; restrained strength? Maybe the circular form represents the eternal… something important? Maybe peace. What does the tin metal itself do to influence who can hold and feel impacted by it? Editor: Pewter, and tin in general, in this era would have carried connotations of accessibility compared to silver or gold, suggesting these medals and by extension their messages were meant for a broader audience, still, I see where the cost might create some barriers. Curator: That changes a lot. Thinking of broader access to political messaging, it is almost democratic in nature… Maybe this box represents this moment? If I can reach it. If I can see it, maybe I can start seeing democracy at hand as well. I see that reflected here, yes. This changed how I see the history we can touch. Editor: So in seeing the box with me and putting our thoughts to use we both get something new to see, learn, or experience with this new understanding of it. A new appreciation for all there is. Curator: What a box and tin box for both! I could've been trapped by only thinking or seeing or my singular lens! Editor: Exactly! History offers a solid foundation. Art gives life, makes that foundation habitable, doesn’t it?
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