fibre-art, textile
fibre-art
textile
indigenous-americas
Dimensions: 7 7/8 x 10 1/4 x 3 in. (20 x 26.04 x 7.62 cm) (without dangles)
Copyright: Public Domain
This pincushion of uncertain date was made by an unknown Haudenosaunee (Iroquois) artist using fabric and glass beads. The work reflects the complexities of identity and cultural exchange. The Haudenosaunee, also known as the Iroquois Confederacy, have a long history marked by resilience and adaptation in the face of colonial pressures. Beadwork became both a means of cultural expression and economic survival as Native artisans adapted European materials and aesthetics to create objects for sale and trade. The choice of materials is poignant; glass beads, originally a trade item, were transformed into symbols of indigenous artistry. The floral and avian motifs are common in Haudenosaunee art, representing the interconnectedness of nature and the spiritual world. This pincushion, therefore, is more than a mere decorative object; it embodies the endurance, creativity, and cultural assertion of the Haudenosaunee people.
Comments
Rectangular pincushions were the most popular kind of whimsey. They present beautiful blends of Iroquois and Victorian design elements. Lush, vibrant velvets were recently developed and popular in American fashion in the late 19th century. Iroquois artists incorporated these new materials as backgrounds for their beadwork. Women frequently beaded floral, bird, and berry motifs onto whimsies and other items. These images carried significance for the Iroquois because they reflect the importance of the natural world in their way of life. Floral elements would have spoken to Euro-American women differently as flowers were symbolic of femininity and domesticity. Scallop shapes along the edges; represent the double curve design, an old motif in Iroquois beadwork that symbolizes the sky-dome which is significant in Iroquois oral tradition.
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