Pincushion c. 20th century

This beaded velvet pincushion was made by an unknown Haudenosaunee (Iroquois) artist. Pincushions like this are a testament to Indigenous women's artistry, and also speak to the complex dynamics of cultural exchange and economic survival. These pincushions emerged as a distinct art form in the 19th century, coinciding with increased tourism to Native lands. Beaded pincushions and other fancy goods became important economic resources for Indigenous communities. The intricate beadwork embodies a fusion of traditional techniques and European materials, such as glass beads and velvet. The imagery of birds and floral motifs reflects both Indigenous cultural symbols and the aesthetic preferences of the Victorian era. The pincushion thus bridges the gap between the intimate, domestic sphere and broader historical currents. Consider the labor and skill involved in creating such an object, and the ways in which Indigenous women navigated the complexities of a changing world, expressing their creativity while asserting their economic independence.