Fire screen 1685 - 1715

This fire screen was made in France by Beauvais; we don’t know the exact date. The central image is not painted, but woven in wool and silk - that’s the key to understanding it. The tapestry shows a bouquet of flowers with birds perched on either side. The tight weave creates a dense, detailed image, almost like a painting, but with the soft texture of the textile. The frame itself is intricately carved, showing how this object would have been at home in a wealthy setting. Beauvais was one of the most famous tapestry workshops in France. Royal patronage was crucial. These workshops produced luxurious textiles for palaces and aristocratic homes all over Europe. Tapestries weren't just decorative; they were also symbols of status and power. The creation of tapestries like this involved many skilled artisans, from designers to weavers. Looking closely at the fire screen, we can appreciate the immense skill and labor involved in its production, and reflect on the social context in which it was made. We can begin to challenge the distinction between the fine and decorative arts.