Armchair (one of a pair) 1720 - 1730

Editor: This is a rather striking armchair, isn't it? Made between 1720 and 1730 by the Savonnerie Manufactory. It’s currently housed here at the Metropolitan Museum of Art. The carved wood and textile…it gives a stately impression. The baroque curves feel pretty theatrical. How do you interpret this piece, especially considering its age and place in decorative arts? Curator: Oh, it whispers tales, doesn’t it? Imagine sinking into this after a long day of powdered wigs and courtly intrigue. It's baroque extravagance, for sure—but not just *bling*. See how the carved wood frames the tapestry like a stage? Savonnerie was *the* textile maker for French royalty; these floral scenes were meticulously woven, a tiny garden paradise for a palace. Do you notice how the high contrast textile creates a sense of depth and texture in contrast with the carved arms? Editor: That's a great point. The tapestry *is* quite immersive. Like a mini landscape contained within the chair. Do you think its theatrical design also plays a role in portraying the sitter in a more powerful light? Curator: Absolutely. Furniture was all about projecting status. This chair isn't just a seat; it’s a throne in waiting. It elevates the sitter, frames them within that miniature stage of carved wood and elaborate weaving. Can’t you just picture someone important holding court, ruling their world from within this ornamented bubble? It's kind of intoxicating and absurd, right? Editor: I can definitely see that now. The amount of detail packed into something meant just to be *sat* on is astounding. A little over the top, maybe, but also impressive. Thanks, I will see chairs in a completely new light from now on. Curator: My pleasure! Let's keep challenging our perspectives – the best part about art is the conversations they ignite!