Cape Ram by Robert Jacob Gordon

Cape Ram Possibly 1777 - 1786

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drawing, watercolor, pencil

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drawing

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water colours

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landscape

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figuration

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watercolor

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coloured pencil

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pencil

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watercolour illustration

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naturalism

Dimensions height 660 mm, width 480 mm, height 261 mm, width 385 mm, height 218 mm, width 330 mm

Curator: Oh, my, this strikes me as something of a shy pastoral scene—so tranquil, almost as if observed through a dreamy lens. Editor: That’s an interesting take. Let’s ground ourselves a bit. This is “Cape Ram,” likely rendered between 1777 and 1786, credited to Robert Jacob Gordon. We're looking at a watercolour, pencil, and colored pencil drawing, capturing, as you suggested, a pastoral landscape with the central figure of the ram. Curator: So, pastoral indeed! And those muted, earthy tones – they evoke such a sense of gentle observation, don’t they? The placement of the ram, almost centrally, gives him a proud yet humble bearing. He's a cultural figure, this ram. Editor: He certainly becomes emblematic, doesn't he? Rams often symbolized virility, determination, and leadership across cultures, including in antiquity. Its isolation between those trees could mean different things. Curator: Indeed. The trees framing him seem almost like symbolic guardians. Is it an evocation of paradise, perhaps? They speak to me of resilience and quiet strength. Even the unassuming watercolor technique, the subtle shadings—it adds a layer of humility to its imposing subject. Editor: Watercolors lend themselves to naturalism, that desire to represent something truthfully and authentically, right? Given Gordon's naturalist style, could this perhaps signify not just cultural meanings invested in rams but also colonial encounters with the natural world, particularly the African landscape? The text under the drawing mentions something in Dutch. Curator: Precisely! A dialogue unfolds: a cultural symbol viewed through the eye of scientific inquiry—a landscape filled with political potential and also serene nature. You've hit the nail on the head; a visual record imbued with more than simple representation. Editor: That balance, between observation and symbolic weight, colonial record and gentle artistry, makes it feel so rich to me. What do you take away as we finish up here? Curator: A profound sense of layered meaning, of seeing beyond the immediately picturesque into the deeper currents of culture and human encounter with nature. Editor: Agreed. I’m left pondering how historical and personal viewpoints merge in one seemingly simple rendering of an animal standing in a field.

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