Plate 15: doe, from 'Various animals' (Diversi animali) by Anonymous

Plate 15: doe, from 'Various animals' (Diversi animali) 1641 - 1660

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drawing, print, etching

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drawing

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baroque

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animal

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print

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etching

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landscape

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figuration

Dimensions Sheet (trimmed): 3 3/16 in. × 4 in. (8.1 × 10.1 cm)

Editor: Here we have "Plate 15: doe, from 'Various animals'," dating from between 1641 and 1660. It’s an etching, and while anonymous, the landscape style makes me think of the Baroque era. It has this quiet, almost melancholic feel. What do you see in it? Curator: Formally, it’s quite compelling. Notice the artist's use of line. The etching technique allows for fine, controlled strokes that define the animal’s form, yet also a looser, more expressive quality in the background landscape. Observe the contrasts. The texture of the doe's fur is implied through varied densities of etched lines, compared to the smoother, less detailed sky. How does that affect your perception? Editor: It’s interesting that you point that out. It makes the doe the definite focal point, while still placing her in an environment that does have some weight. I mean, look at those rock formations. Curator: Precisely. There is a clear hierarchy established by the manipulation of visual elements. We might also analyze the composition, noting how the placement of the doe nearly center frame and angled towards the left creates a dynamic tension. Where does your eye travel? Editor: I start with the doe's eye and then my gaze is pulled towards the landscape on the left side. It really makes you examine all the elements that make up the piece. What about the use of shading? Curator: The shading creates depth and volume, modeling the form of the doe and grounding her within the scene. But the etching also lacks deep blacks, creating a more tonal and delicate aesthetic overall, emphasizing the two-dimensional surface of the paper, defying illusionism and redirecting one's attention to the artifice of art. Editor: That’s fascinating. I never would have thought about the emphasis on the paper itself as part of the composition. Curator: Attending to the artist's material choices allows us entry to deeper meaning, always. Editor: I’ve definitely learned something new about reading images. Thanks for sharing your insights.

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