Belt c. 20th century

This long, woven belt, in the collection of the Minneapolis Institute of Art, is a beauty of complex patterning in red, brown, and cream. I love to imagine the methodical, tactile act of weaving that brought it into being. You can see the artist working through the structure of the weave, following a pattern but improvising within it. I wonder, was the weaver thinking about something in particular? Is there a hidden symbolism in these geometric shapes? Maybe, maybe not. What I find so compelling is the physical investment, the time spent, and the sheer skill required to create such an intricate design. Each colour block, each crossing thread speaks of intention, patience, and a deep understanding of the materials. To me, the repeated motifs almost feel like a painted gesture, a sort of tactile mark-making. It’s a reminder that every act of creation, whether painting or weaving, is a conversation across time and cultures.