Construction: Stone with a Collar by Naum Gabo

Construction: Stone with a Collar c. 1933 - 1937

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Dimensions: object: 370 x 720 x 550 mm

Copyright: The Work of Naum Gabo © Nina & Graham Williams/Tate, London 2014 | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Naum Gabo's "Construction: Stone with a Collar" presents a fascinating play of contrasts. What are your initial impressions? Editor: Austere. The cool palette—blacks, whites, and grays—combined with the geometric forms creates a sense of calculated precision. Curator: Indeed. The stone, while appearing natural, is juxtaposed with man-made materials. The collar element seems to both support and restrain it. Editor: The composition emphasizes balance. The curve of the black element against the rigid planes evokes a dynamic tension, doesn’t it? Curator: It does. I see echoes of ancient rituals where stones were often imbued with spiritual significance, but Gabo reinterprets that through a modern lens. Editor: I agree, and the interplay between mass and void offers us much to think about. Curator: Absolutely, a conversation on the very essence of form and its cultural resonance. Editor: Well said. It’s a work that continually reveals new layers.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/gabo-construction-stone-with-a-collar-t06975

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tate 2 days ago

In the 1920s Gabo rejected sculptural mass and the use of natural materials in favour of space and industrial materials. Here, however, he brings together the expression of open space (the curvature of the cellulose acetate and the painted brass ‘collar’) with the sculptural solidity of stone resting on a slate base. In taking this direction, Gabo wished to express what he saw as the hidden forces of nature. Gallery label, April 2012