Cortège c. 19th century

Editor: This is "Cortège" by Honoré Daumier. It’s a print, and the figures seem puffed up with self-importance, yet they look ridiculous. What's Daumier trying to say here? Curator: Daumier was a master of social satire. Note how he exaggerates their features. This wasn't just humorous; it was a direct critique of the bourgeoisie and their pretensions of power during a time of immense social change. He used his art to expose their vanity. Editor: So, the humor has a political edge? Curator: Absolutely. Daumier's prints were often published in journals, reaching a wide audience. He weaponized caricature to challenge the status quo. Consider who benefited from these images, and who felt threatened. What do you make of the objects they carry? Editor: Well, now I see that he's not just mocking individuals, but also the absurd rituals they perform. Curator: Exactly. Art becomes a tool for social commentary, reflecting and shaping public opinion. It makes you wonder, who are the targets of satire today? Editor: Food for thought! Thanks for pointing out the historical context; it really changes how I see the image.