Exterieur van de Kathedraal van Exeter c. 1850 - 1880

This stereoscopic print of the Exeter Cathedral was made by Francis Bedford during a time of significant expansion for photography. Bedford, appointed to document the Middle East, infused his architectural subjects with a distinct sense of grandeur. Consider the Victorian era's fascination with capturing and cataloging the world, reflecting a desire to understand and control an empire's vast holdings. Bedford’s position as a photographer intersects with class and gender norms. He had the privilege to embark on extensive travels at a time when mobility was restricted for many. Stereoscopic images like this one catered to a middle-class audience eager to experience far-off places from the comfort of their homes. The choice to photograph Exeter Cathedral aligns with the Victorian appreciation for Gothic architecture. These buildings were seen as symbols of national pride. Bedford's photograph captures not just the physical structure but also the cultural values and aspirations of Victorian society. This photograph makes us think about how images shape our perceptions of history.