Gezicht op de Holy Trinity Church te Gidleigh c. 1850 - 1880

This stereoscopic photograph of the Holy Trinity Church at Gidleigh was created by Francis Bedford. The albumen print is made from a solution of egg whites and silver nitrate applied to paper, creating a light-sensitive surface. To make a stereograph like this one, Bedford would have used a camera with two lenses, producing two nearly identical images simultaneously. When viewed through a stereoscope, the combined images create a single three-dimensional view. This was a popular form of Victorian entertainment, offering a sense of immersion in faraway places or, as in this case, an English village scene. The commercial production of photographs like this one was labor-intensive, and helped create a visual culture for a rising middle class hungry for images. By embracing this new technology, Bedford blurred the lines between art, industry, and commerce, contributing to a shift in how we perceive and consume images. It reminds us that even seemingly simple images are products of complex social and economic forces.