Ceremonial blouse by B'laan tribe

Ceremonial blouse Date Unknown

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textile, cotton

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pattern heavy

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textile

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collage layering style

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fashion and textile design

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hand-embroidered

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repetition of pattern

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pattern repetition

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cotton

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textile design

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beaded

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imprinted textile

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layered pattern

Dimensions 15 1/4 x 47 1/4 in. (38.74 x 120.02 cm) (sleeve to sleeve)

Editor: Here we have a ceremonial blouse from the B'laan tribe; its date is unknown, but it's part of the Minneapolis Institute of Art's collection. Made with cotton and other textiles, it’s really striking – a combination of strong geometric patterns and some lovely hand-embroidered details. How do you interpret this type of garment through a historical lens? Curator: Well, garments like these are rarely just clothes. This blouse offers a fascinating window into the social fabric and cultural values of the B’laan people. Given its designation as “ceremonial”, we can infer this blouse would play an active part in community events, holding social meaning beyond daily life. Editor: I didn't think of it in that context! Are there specific visual elements that speak to those cultural values? Curator: Certainly. Consider the pattern heavy design; the repetition and layering could signify social cohesion, tradition, or even a hierarchy. Understanding the role of textile production within B'laan society - who makes these, and how are they taught - provides invaluable context. Was its creation a communal activity or a specialized skill? The answer informs its perceived status and function. Editor: That makes me consider the use of cotton – was that locally sourced, or traded? If traded, how does it speak of the B’laan people's relationships with other communities? Curator: Exactly! Even the availability and acquisition of materials impact our understanding. Researching colonial influence in the region during the garment's creation period becomes pertinent. Did foreign markets shape artistic expression here? By investigating those material histories and the artistic process we see the deeper political, economic, and cultural factors at play. Editor: I see now how many different ways this garment can reflect aspects of society! I'll definitely remember to look into historical context and garment production for my paper on textiles! Curator: It's a layered approach but that wider lens reveals such rich, meaningful perspectives.

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