De Zon en zijn invloed op de wereld by Johann Sadeler I

De Zon en zijn invloed op de wereld 1585

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print, engraving

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allegory

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print

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landscape

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mannerism

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history-painting

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engraving

Dimensions: height 233 mm, width 242 mm, height 539 mm, width 375 mm

Copyright: Rijks Museum: Open Domain

Editor: So, this is Johann Sadeler's "The Sun and its Influence on the World" from 1585. It’s a print, an engraving actually. My first thought? It's wonderfully busy! It feels like there's a story bursting at the seams of this little frame. What really grabs you when you look at it? Curator: Ah, a story indeed! It's less a 'what' and more a 'who' for me. That sun god, blazing there – talk about stage presence! He’s not just driving that chariot; he’s conducting the whole scene. You feel his energy permeating that rainbow, cascading onto the world below, don't you? Editor: Definitely! It's like he's the conductor of…well, everything. That makes the lion up there feel really important too. Why place a lion so close to the sun? Curator: A cosmic alignment! The sun in Leo - the zodiac connection deepens the theme, doesn’t it? You almost feel the earth is under the sun’s dominion! Tell me, doesn’t the tiny rendering of buildings and processions below give it a rather God-like, voyeuristic appeal, too? As if the sun god is not just orchestrating history, but observing us all? Editor: Wow, I never thought about it that way! The perspective really puts us on the outside looking in, huh? Almost makes the city seem like his little playset, or…a terrarium! It seems like more than a depiction of how integral sunlight is for our sustenance, it speaks to control and…grandeur. Curator: Precisely. So, after our chat, do you think you might see more than just the literal sunrise next time you chance upon it? Perhaps glimpse the intoxicating dance between power, destiny, and the dazzling influence of the celestial sphere? Editor: Absolutely! It is such a deeper interpretation than my first impression. I will always remember the “cosmic alignment” in relation to this piece.

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