The Sun c. 1600

Editor: This engraving, "The Sun" by Crispijn de Passe, depicts Apollo in his chariot. It's striking how the celebration below seems to directly result from his celestial presence. What's your take on this connection? Curator: It's crucial to examine how power dynamics are represented here. Apollo's divine authority, visibly celebrated by the masses, reinforces hierarchical social structures. How does the imagery of light and darkness play into this power dynamic, especially considering contemporary social inequalities? Editor: So, you're saying the artwork isn't just a celebration but also a reflection of the era's power structures? Curator: Precisely. Consider also the role of religious institutions. The scene is set in a papal city, and the rituals of the Church are evident in the engraving; this celebration is then sanctioned by religious doctrine, reinforcing the existing social order. How might marginalized communities have viewed this image? Editor: I hadn't considered that! This makes me see the image as not just a beautiful depiction, but a commentary on societal control. Curator: Exactly. It highlights the entanglement of power, religion, and social order within 17th-century European society. Hopefully, viewers consider this during the tour.