Illustration to the Arthurian Legend: The Four Queens Find Launcelot Sleeping by  David Jones

Illustration to the Arthurian Legend: The Four Queens Find Launcelot Sleeping 1941

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Dimensions: support: 629 x 495 mm

Copyright: © The estate of David Jones | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: David Jones, born in 1895, created this illustration—"The Four Queens Find Launcelot Sleeping"—now held at the Tate. Editor: The linework is so delicate, almost ethereal. It feels like a faded dream, or a memory half-recalled. Curator: It's interesting to see Jones, known for his war art, engaging with Arthurian legend. This scene depicts a pivotal moment from Malory's Le Morte d'Arthur. Editor: The composition is fascinating. The queens loom over the sleeping Launcelot, creating a sense of impending danger, yet the lines are so soft, the threat feels strangely muted. Curator: The choice of subject reflects a broader cultural fascination with myth and national identity in the early 20th century, a desire to reconnect with a heroic past. Editor: And the muted palette—mostly grays and faint yellows—certainly contributes to the overall subdued and dreamlike quality. It's quite haunting. Curator: Indeed, a fascinating intersection of historical narrative and artistic interpretation. Editor: A gentle and complex composition that deserves further contemplation.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/jones-illustration-to-the-arthurian-legend-the-four-queens-find-launcelot-sleeping-n05316

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tate's Profile Picture
tate 3 days ago

The stories of King Arthur and his knights had long been of interest to artists and writers as a remnant of a mysterious, lost national past. This drawing illustrates a passage in which Sir Launcelot is abducted by four queens. Launcelot, however, lies dreaming of his love, Queen Guinevere, who appears as a swan. The recumbent figure wears a German helmet and is deliberately reminiscent of the bodies of soldiers that Jones had seen on the battlefields of the 1914–18 war. Thus Medieval themes and styles are used to comment on more recent conflict. Gallery label, September 2004