Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section 1650 - 1700

François Collignon created this engraving of Saint Peter and the Apostles using metal and acid. An engraver carefully incises lines into a metal plate, which is then submerged in acid to deepen the grooves. Ink is applied, and the plate is pressed onto paper, transferring the image. The stark contrast between the fine lines and the blank paper creates a dramatic effect. The controlled process allows for intricate details, seen in the Apostles' expressions of grief and awe, and the ethereal depiction of Christ ascending. Engraving was a crucial method for disseminating images widely, making art accessible beyond the elite. Collignon's print demonstrates not only technical skill but the social role of printmaking in spreading religious narratives. The labor-intensive craft of engraving contrasts with the mass production it enabled, reflecting the changing landscape of art and accessibility in the 17th century. Understanding the printmaking process helps us appreciate the artwork’s role in its time, bridging craft and broader cultural impact.