A Samurai who Hides His Features with His Hat 1868 - 1912

Editor: Okumura Masanobu's "A Samurai who Hides His Features with His Hat", a woodblock print from the Meiji period, gives me such a sense of clandestine dealings. Everyone seems to be averting their gaze, even the samurai's face is hidden. What do you make of this obscured narrative? Curator: It feels almost like a stage setting, doesn't it? Or a carefully choreographed dance. Masanobu, for me, captures the elusive nature of identity, perhaps mirroring the societal shifts of the Meiji era, that moment in time. I'm wondering, do you think this concealment might also relate to the performative aspect of samurai culture itself? Editor: That’s a compelling point. It's almost as if he’s playing a role. The samurai code feels so rigid, maybe hiding becomes a kind of rebellion? Curator: Perhaps. Ukiyo-e prints often depicted the floating world, escapism, right? It is almost an introspective quest, wouldn’t you agree? Maybe that large hat symbolizes an almost comical attempt to cloak our own inner landscapes? The sword in the hand and covered face...quite a statement! Editor: It does leave you wondering what he's really thinking, behind the disguise. The composition is beautiful as well! Curator: Agreed! It reminds us that sometimes, the most revealing art is the art that conceals. Perhaps, more about our reactions? What did you glean about the character or this Japanese cultural artifact? Editor: I’m definitely rethinking my initial impression. Seeing it as more of a thoughtful exploration of identity, especially within the confines of tradition. Thanks, I learned a lot! Curator: It’s been a joy exploring with you; until next time!