Dimensions: displayed: 7200 x 3420 mm displayed: 4237kg
Copyright: © Richard Long | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Richard Long's "Cornish Slate Ellipse", comprised of slate and installed directly on the floor. I’m struck by its stark contrast against the wooden floor, and how it brings nature indoors. What do you make of it? Curator: Long's work invites us to consider our relationship with the natural world. How does this re-contextualization of raw materials challenge the traditional separation between art and environment, nature and culture? The ellipse, a perfect geometric form, imposed onto organic material, hints at a larger discourse surrounding industrial extraction and ecological concerns. Editor: So, it's not just about bringing nature inside, but about questioning our impact on it? Curator: Precisely. Long's piece uses the weight and presence of the slate to spark a dialogue. It's a powerful statement using minimalist aesthetics. Editor: That gives me a lot to think about – the contrast and the commentary. Curator: Indeed, art is often a mirror reflecting our complex relationship with the world around us.
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http://www.tate.org.uk/art/artworks/long-cornish-slate-ellipse-ar00703
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Cornish Slate Ellipse 2009 is a sculpture made of cut pieces of slate of various sizes positioned on the floor in the form of an ellipse over seven metres in length and over three metres wide. The pieces of slate are all roughly cuboid in shape and approximately ten centimetres high when placed on their sides so that the top surface of the sculpture is even. They are placed tightly together in a haphazard though evenly spaced pattern. The slate is predominantly grey in colour though some of the stones contain visible rust-coloured iron deposits, while the strata of the slate are visible on the upward facing profile of each piece. Since the individual pieces of slate are cut at a quarry with a saw or blade they vary in length, measuring between twelve and thirty-eight centimetres.