Square Tubes [Series D] by Charlotte Posenenske

Square Tubes [Series D] 1967

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Dimensions: Four elements: square tube: 460 x 460 x 920 mm; rectangular tube: 230 x 460 x 920 mm; angular element, 460 x 460 mm; transition element, openings: 460 x 460 Overall display dimensions variable

Copyright: © Estate of Charlotte Posenenske/Burkhard Brunn, Frankfurt/M. | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Here we have Charlotte Posenenske's "Square Tubes [Series D]." Posenenske was deeply concerned with the social function of art and her works, like these modular, galvanized steel elements, invite questions about mass production and consumerism. Editor: Wow, talk about industrial chic! It's like plumbing with a purpose. It's cold, gray, but also strangely comforting in its utilitarian honesty. I almost want to crawl through it. Curator: Exactly! Posenenske deliberately used industrial materials to democratize art, making it accessible and challenging traditional notions of artistic authorship. Editor: So, it's not just art, it's an architectural statement. It makes me consider the hidden systems that keep things running behind the scenes. It's a bit humorous too. Curator: Absolutely. Posenenske resisted the art world's commodification, even advocating for her works to be reproduced in unlimited editions. Editor: So, we are all meant to own one of these someday. Well, it definitely makes me rethink what is considered art, and the system behind it all. Curator: Indeed. Posenenske's work compels us to reflect on art's role in a capitalist society, and it does that in a very playful way. Editor: It's functional sculpture! It's very smart, actually.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/posenenske-square-tubes-series-d-t12777

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tate 3 days ago

Posenenske was interested in industrial methods of production, and produced free standing sculptures which often resemble standardised architectural units. Square Tubes Series D, consists of a number of folded, hollow elements which are joined together to create different shaped pieces, according to the owner’s decision. The tubes can be hung or placed on the floor in numerous configurations, and the physical organisation of the elements can be altered each time they are exhibited Gallery label, October 2016