Werner Neufang en Thea Driesen 1940 - 1943

This is an anonymous black and white photograph presented in a family album, seemingly from the mid-20th century. The composition is symmetrical, with two portraits, presumably Werner Neufang and Thea Driesen, facing each other. The artist has used a dark backdrop to accentuate the light tones of the photos, drawing our eyes to the subjects. A childlike drawing of a heart links the two portraits, with the inscription 'Liebesleute', using basic semiotic structures to suggest unity, connection, and love. This arrangement creates a dialogue between the subjects, with the heart acting as a linguistic signifier of their relationship. It’s a symbolic gesture that seeks to challenge any fixed meaning beyond that of love. The album format and these personal touches introduce new ways of thinking about representation. This artwork functions aesthetically as a study in simple composition and affection and as a reflection of shared human experiences across time. This challenges the notion of art as something distant, highlighting its role in everyday life and personal connection.