Narcissus ×incomparabilis (have-narcis); Narcissus pseudonarcissus (påskelilje) by Hans Simon Holtzbecker

Narcissus ×incomparabilis (have-narcis); Narcissus pseudonarcissus (påskelilje) 1635 - 1664

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drawing, gouache, watercolor

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drawing

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baroque

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gouache

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watercolor

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watercolour illustration

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botanical art

Dimensions: 375 mm (height) x 265 mm (width) x 85 mm (depth) (monteringsmaal), 358 mm (height) x 250 mm (width) (bladmaal)

Curator: We are now viewing "Narcissus ×incomparabilis; Narcissus pseudonarcissus" by Hans Simon Holtzbecker, created sometime between 1635 and 1664. Editor: I am immediately drawn to the rendering of these two daffodils. The contrast between the stark white and vibrant yellow blossom is very effective. Curator: Indeed. Holtzbecker’s meticulous approach here utilizes watercolour and gouache to provide a scientifically precise botanical study. Observe how the texture of the petals is subtly achieved. Editor: And that precision is intriguing. Consider the labor involved in cultivating the plants themselves, and then painstakingly representing each detail by hand, especially in the time of its making. Curator: The medium chosen by Holtzbecker serves the composition. The fluidity of watercolor allows for subtle gradations of tone, essential in capturing the delicate curves of the petals. Furthermore, gouache provides a level of opacity lending a body and tangible form. Editor: It almost creates the illusion of paper pressing and flower preservation. The artistic rendering highlights the tension between the botanical craft and aesthetic representation of beauty, don’t you think? Curator: I'm struck by the almost diagrammatic presentation. It feels objective and scientifically descriptive. But then again, consider the symbolism imbued in flora. Editor: Yes, it begs the question of how close someone could actually look; the artistic endeavor involved shows Holtzbecker's understanding of composition through a combination of technique and natural resources. The relationship created from this method is in some ways eternal. Curator: Yes, the level of formal composition Holtzbecker presents creates a botanical harmony of form and color that remains compelling almost four centuries on. Editor: Well, I find it offers not just botanical accuracy, but tells a story of time, place, and the hand that labored over it, connecting us to the earth and its meticulous observers.

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