Herdruk van de satire op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening van 1844 (blad 9) by Herman Frederik Carel ten Kate

Herdruk van de satire op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening van 1844 (blad 9) 1844

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graphic-art, print, engraving

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graphic-art

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narrative-art

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print

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engraving

Dimensions height 385 mm, width 245 mm

Editor: This is "Herdruk van de satire op de aansporing tot deelneming in de (zogenaamde) vrijwillige 3% geldlening van 1844 (blad 9)", a print and engraving from 1844 by Herman Frederik Carel ten Kate, currently at the Rijksmuseum. It looks like a satirical piece with these little vignettes illustrating what appears to be the burden of taxation. What do you see in this piece that stands out in terms of its message? Curator: What I see is a complex web of symbolic imagery used to critique the societal pressure to participate in a so-called "voluntary" loan. Consider the figures climbing a ladder, perhaps illustrating the climb of societal status. Do you notice how precarious their ascent seems? The artist employs potent symbols here. Editor: It does seem a little precarious! I also notice the image of the cow being led by the nose, next to the list of income brackets. It suggests people are being led to slaughter like livestock by this loan. Curator: Precisely. That bovine imagery evokes ideas of sacrifice and exploitation, key symbols. Note the table of monetary values on the left. It emphasizes the stratification of society. How might this visual contrast affect the viewer’s understanding? Editor: I suppose seeing the vast difference in what people owe, next to images of struggling figures, really drives home the inequality. Curator: The composition reinforces that point. Each vignette encapsulates an aspect of societal coercion and economic disparity. Ten Kate effectively uses these images to tap into deep-seated anxieties around social mobility, debt, and governmental power. Editor: I see it much clearer now, noticing those small details and symbols certainly tells a more powerful story. I am keen to look at works from this era in this new light now. Curator: The emotional and psychological impact of imagery can be far reaching, particularly in politically charged pieces like this. It certainly leaves you pondering on the impact on society, doesn't it?

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