Vertumnus and Pomona after 1605

print, engraving

print

pencil sketch

charcoal drawing

pencil drawing

coffee painting

underpainting

surrealism

animal drawing portrait

portrait drawing

watercolour illustration

engraving

watercolor

This etching by Jan Saenredam, created after 1605, depicts the mythological story of Vertumnus and Pomona. Vertumnus, a Roman god of transformation, disguises himself as an old woman to woo Pomona, the goddess of fruit trees. Saenredam's detailed engraving portrays the scene with a sense of realism, showcasing the figures in a lush, natural setting. The artwork is notable for its intricate details, such as the abundance of fruit and foliage, and the delicate textures of the figures' clothing. The Minneapolis Institute of Art houses this piece, showcasing Saenredam's mastery of the etching technique.

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minneapolisinstituteofart about 1 year ago

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The story of Vertumnus and Pomona dates to Roman antiquity, but was made popular and accessible through Ovid’s "Metamorphoses." Vertumnus, the god of seasonal change, had designs on Pomona, the goddess of orchards and gardens—her name remaining familiar through the word pomegranate or the French word for apple. She was a beauty with a reputation for thwarting male advances. Bloemaert appropriately showed her surrounded by an abundance of luscious produce, and—given her reputation in the realm of romance—her sickle may have had uses that would give a man pause. But Vertumnus had a plan: he disguised himself as an old woman to gain entry into Pomona’s garden, and there gave her counsel against rejecting suitors, eventually seducing her himself. The choice of the Vertumnus and Pomona as a subject is typical of the late Mannerist phase. Earlier on, artists had sought esoteric, obscure subjects, but as time passed, they gravitated to more widely known stories, especially erotic tales available in the "Metamorphoses."