print, engraving
narrative-art
landscape
figuration
classicism
history-painting
northern-renaissance
engraving
Dimensions 10 7/8 x 7 13/16 in. (27.62 x 19.84 cm) (image)12 3/8 x 8 15/16 in. (31.43 x 22.7 cm) (sheet)
Curator: Oh, what a study in light and loss. It’s Jan Saenredam’s "The Expulsion from Eden," created in 1604. It’s an engraving, showcasing incredible detail. Editor: Yes, detail that makes my eyes dart immediately to the angel—a kind of wrathful, swooping figure almost bursting from the cloud cover. I sense fear more than divine judgment, wouldn’t you say? Curator: Definitely a sense of dread hanging in the air, despite the detailed landscape. Saenredam masterfully captures that instant of profound regret, doesn't he? Editor: Exactly, it's about what they have lost! You see it in the postures, Adam leaning, almost clinging to the earth like he belongs there now, while Eve looks heavenward but is trapped by circumstance! Where they used to be, the idealized world, that changes. They changed. What an incredible take! It looks like we are supposed to understand why and perhaps to relate. Curator: Precisely! That feeling, the landscape itself reflects the internal drama. Note how the lush detail of Eden contrasts so sharply with their expressions. Editor: I suppose, I would just hope it also raises questions for those experiencing this engraving today. Like what do they think? We are far away now from those ideas and moral structures... Does their guilt touch us? Or the other way round: do we even feel for these people or does it look more interesting now. Curator: That's such a necessary reflection for anyone considering "Expulsion." Jan Saenredam offers us not just an image, but an experience, a feeling... perhaps that never leaves us. Editor: Exactly, the weight of change itself becomes palpable. It's nice to realize what a deep dive can offer even from a brief engagement, huh?
Comments
A fervent Catholic in a chiefly Protestant culture, the Utrecht artist Abraham Bloemaert spread his faith by having his religious drawings engraved as prints. The banishing angel seems to fracture this print into a mass of diagonals, in a warning against sin. Eve recoils in her newfound nakedness while Adam frames Eve with outstretched arms. This creates a visual loop that illustrates Genesis 3:12-13: Adam blames God for sending him woman (Eve), and she blames the serpent for beguiling her.
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.