Apostel Petrus 1669 - 1722

Editor: So, this is Adriaen van der Werff's "Apostel Petrus," created sometime between 1669 and 1722. It's a drawing using graphite, pen, and what looks like charcoal. It's striking how gentle the portrait feels, despite depicting such an important historical figure, and that Peter’s holding two very large keys. How do you read these symbols in this piece? Curator: Those keys are everything, really. They are Saint Peter's primary attribute, and immediately identify him. In Christian iconography, these keys—often one gold and one silver—represent the keys to Heaven, or the spiritual and earthly power of the Church. Think about how potent an image that would be for viewers at the time, who would have been much more familiar with these religious symbols than we are today. Editor: So the keys are not just about access, but about power and authority. Does that connect to the thoughtful, almost weary, expression on Peter’s face? Curator: Absolutely. His downcast gaze and slightly furrowed brow could suggest a weight of responsibility that comes with wielding such authority. Also consider that keys feature mazes upon their faces. The artist uses Peter as a symbol for mankind’s existence; not just passage through pearly gates, but entry to a realm of complexity. Consider also the open book on which his hand rests; would you describe this symbol as more temporal, or spiritual? Editor: I'd say more spiritual – knowledge, revelation... and now seeing it all together I understand better how each symbol compounds and informs the others. Thanks for clarifying. Curator: Indeed, the image becomes richer when viewed through the lens of historical symbolism, adding new layers of meaning to what might initially seem like a simple portrait.