Editor: Here we see Johann Georg Bergmüller's "S. James Minor." I'm struck by the density of lines, creating light and shadow. What compositional elements stand out to you? Curator: Note how the hatching technique articulates the saint's drapery. It is not mere representation but a system of signs. The density of lines creates a visual weight, grounding the figure. Editor: So the lines aren't just descriptive, they're structural? Curator: Precisely. They define form and texture, creating a self-referential system. It invites us to decode the visual language rather than seek external narratives. The figure exists only as a series of carefully placed marks. Editor: I see. It's like the image is less about Saint James and more about the act of image-making itself. Thanks for that insight! Curator: Indeed. It is a testament to the power of the line.
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