Street Fair, Paris by Ilse Bing

Street Fair, Paris 1933

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photography, gelatin-silver-print

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portrait

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street-photography

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photography

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historical photography

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black and white

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single portrait

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gelatin-silver-print

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modernism

Dimensions: overall: 22.2 x 28.2 cm (8 3/4 x 11 1/8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Ilse Bing captured this image, titled "Street Fair, Paris," in 1933, using the gelatin-silver print technique. It’s a fascinating window into Parisian life of the time. Editor: There's a stillness to it that belies the presumed energy of a street fair. It's more contemplative than celebratory, wouldn’t you say? Almost… cinematic. Curator: I think that reflects the influence of the New Vision movement, focusing on clarity and objectivity. Bing, as a prominent figure in avant-garde photography, was keen to capture a candid realism. Consider how the man's features and his place among a bustling crowd are rendered; even that cigarette hanging from his lips seems to speak volumes. Editor: Absolutely, and those eyeglasses --such potent signifiers of intellectualism. Is it just me, or is there something almost melancholic in his gaze? He seems both present and detached, framed by what must have been a clamorous scene, but entirely isolated. I wonder, who was this person, really? Curator: That's where it gets compelling. This image doesn’t offer the narrative closure we expect from portraiture; instead, we encounter a fragment, a slice of lived history. His hat and tie represent middle-class respectability but look more closely; the slightly disheveled tie is in stark contrast to his nice clothes. Editor: Yes, there is a fascinating disjunction there. It feels representative of the wider social complexities during the interwar years – the economic anxieties simmering beneath the surface. That little detail undermines the seeming social convention and conformity; quite clever of Bing, isn’t it? Curator: I'd agree, because photography in this time had to do double duty. Its aesthetic choices acted as a tool for understanding broader cultural shifts, political changes, and personal sentiments. Bing offers a narrative without ever telling it straight out. Editor: A visual poem rather than a story. This really changes my perception of what "street photography" is capable of. Instead of simple documenting, it's about decoding the hidden language of everyday life. Curator: Indeed, seeing this photo can allow one to look closer and understand cultural implications and its subjects. It really invites closer readings into Parisian life.

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