Man with Pamphlets by Lisette Model

Man with Pamphlets 1933 - 1938

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photography, gelatin-silver-print

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portrait

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black and white photography

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street-photography

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photography

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historical photography

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black and white

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gelatin-silver-print

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monochrome photography

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ashcan-school

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genre-painting

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modernism

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realism

Dimensions: sheet: 35 x 27.5 cm (13 3/4 x 10 13/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: This is Lisette Model's gelatin-silver print, *Man with Pamphlets*, taken sometime between 1933 and 1938. The first thing I notice is how direct the gaze is; it feels very confrontational and captures a specific time, given the reference to leaflets. What do you see in this image? Curator: The pamphlets he carries certainly speak volumes, don’t they? Notice how they become almost an extension of his body, as if his very being is intertwined with the message they hold. He becomes a symbol himself, perhaps of the working class, the politically engaged individual trying to sway opinion during a period of turmoil. The texture of his clothes, the somewhat ill-fitting suit, what do these elements suggest to you? Editor: I think they highlight a sense of everyday reality. The clothes don't seem staged. Curator: Exactly. Model's lens captures more than just an image. Consider the composition: The figure dominates the frame, leaving little space for anything else. Is he a heroic figure, or is something else conveyed through the photographer’s decisions about scale? Editor: It's a powerful composition; that's true. He seems very present but also maybe vulnerable? Curator: The pamphlets, whatever message they carry, provide a script. Maybe this "ordinariness," as an important part of everyday urban experience, is intended to evoke empathy. The shadows and the angle do suggest vulnerability but a sort of defiant vulnerability that demands attention. Editor: I hadn't considered the aspect of vulnerability. Looking again, I see a complexity that wasn’t initially apparent. Curator: That’s the power of an image isn’t it? It’s not just what’s depicted, but what it evokes and the conversations it starts across generations.

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