[no title] 1997

Editor: Here we have an untitled work by Tracey Moffatt, from the Tate collection. It pictures what appears to be two nuns holding a baby aloft. It's a beautiful image, but something about it feels staged. What do you make of it? Curator: It is intriguing, isn't it? Moffatt often uses photography to explore themes of identity and representation, particularly within an Australian context. This image, with its stark contrast and theatrical feel, prompts us to consider the historical role of the church in shaping Indigenous communities and families. Editor: So you're saying it's about more than just the surface image? Curator: Absolutely. Consider the power dynamics at play, the legacy of colonial institutions, and the complexities of representation. Moffatt invites us to question what we think we know. Editor: That's fascinating. I'll definitely look at Moffatt's work with new eyes now! Curator: Indeed, art like this encourages us to examine the structures that shape our perceptions.