Dust Storm by John Grillo

Dust Storm 1960

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print, charcoal

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abstract-expressionism

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print

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landscape

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charcoal art

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charcoal

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charcoal

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monochrome

Dimensions image: 392 x 506 mm sheet: 502 x 650 mm

Editor: This is "Dust Storm," a charcoal print created in 1960 by John Grillo. It strikes me as quite stark; the use of charcoal creates an almost violent contrast. What catches your eye in this composition? Curator: Primarily, the relationship between form and ground. The bold, almost brutal, application of charcoal generates a dynamism which challenges traditional notions of perspective and depth. Note how the areas of intense black press forward, while the lighter regions, scraped or perhaps rubbed back, recede. Editor: So, you see the push and pull between light and dark as being structurally significant? Curator: Precisely. The semiotic opposition inherent in the monochrome palette structures the entire composition. It asks, does it not, how much information we require to discern a landscape? What elements can be reduced or amplified to still evoke that recognition? Notice too the materiality; the texture of the charcoal itself contributes to the perceived turbulence. Editor: That's fascinating. I hadn't thought about the charcoal itself contributing to the sense of… agitation. I was focusing so much on the starkness. Is there a suggestion of landscape in the horizontal arrangement of shapes, perhaps? Curator: Indeed, Grillo utilizes a familiar compositional trope—the horizon line. However, it's fragmented and disrupted by the energetic mark-making. The forms aren't simply representations of objects, but rather indices of an internal landscape, mirrored by the application of medium. What do you make of that? Editor: It’s almost as though the act of creation itself mirrors the chaos of the storm. The print embodies, rather than illustrates, the concept. Curator: A fitting observation. "Dust Storm" encourages us to look beyond simplistic representation and consider the aesthetic dialogue between form, materiality, and the suggestion of subject matter. Editor: This has really reshaped my understanding; it is not just an image of chaos, but a carefully constructed visual statement using solely formal properties. Thank you.

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