Schakelarmband van goud by Dutch Chain Works

Schakelarmband van goud c. 1940 - 1950

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assemblage, metal, gold, sculpture

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assemblage

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metal

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gold

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sculpture

Dimensions weight 33.3 gr, width 1.48 cm, length 19 cm, depth 0.4 cm

Curator: What we have here is a gold chain link bracelet crafted, it is believed, sometime between 1940 and 1950 by the Dutch Chain Works. Editor: It has a surprisingly solid and confident aesthetic. The repeated geometric forms make it feel less delicate and more like wearable architecture. I wonder who it was designed for? Curator: It's fascinating to consider the labor involved in producing such a piece, particularly given the likely period of its creation. Were these produced in a factory, or was this the labor of individual craftspeople? And what implications would those processes have for the value of each piece, the workers’ earnings, their sense of accomplishment? Editor: Exactly, the time period begs the question: who would have worn this in the postwar period? Did it represent newly-found affluence or the grit and determination to rebuild? Jewelry like this can function as an outward display of inner strength or aspirational status. I wonder if it carries additional symbolic weight in the aftermath of occupation. Curator: I'm more drawn to its industrial qualities, I see strong shapes precisely assembled and how the links are cleverly fitted together which suggests to me a designer who thought about mechanical innovation. Gold, being a fairly workable and valued material, speaks volumes about the access and resources available. The links each articulate within tight tolerances. Did it make mass production more attainable? Editor: I find it intriguing that such rigid components make something supple and adaptive to the human form. Perhaps that's part of the appeal. Despite the gold content, could this also be perceived as an adornment of empowerment during a pivotal time in Dutch history? Curator: Perhaps by acknowledging both production challenges and design aspirations, we perceive the true measure of craft embedded within such works of adornment. Editor: Ultimately, reflecting on such pieces helps us understand the silent dialogue that crafted items hold across both time and cultures.

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