Old Point Comfort, from the Fancy Bathers series (N187) issued by Wm. S. Kimball & Co. 1889
portrait
coloured pencil
watercolor
Dimensions Sheet: 2 11/16 × 1 1/2 in. (6.9 × 3.8 cm)
Editor: So this chromolithograph, "Old Point Comfort" from 1889, is part of a series of “Fancy Bathers.” She’s dressed in what was probably fashionable swimwear at the time. There’s something very direct about her gaze; her profile gives her a no-nonsense, energetic feel. What do you make of her pose and the overall composition? Curator: This image vibrates with echoes. Notice her contrapposto, that classical weight shift suggesting movement, only here it feels… staged, performative. Her gaze, you're right, is direct, almost confrontational, which disrupts the otherwise conventional scene of leisure. The bathing suit, the net, even the suggestion of wind in the ribbons, they’re all symbols of a carefully constructed social performance. Do you feel she’s really enjoying a day at the beach? Editor: I don't think so, not entirely. It's like she is working at performing leisure. Curator: Exactly! What is she meant to catch with her net? Is it simply to complete this carefully cultivated impression of seaside enjoyment? Or, considering how this card may have circulated, perhaps it suggests a form of visual consumption? A woman, on display, caught in our gaze, collected like a butterfly in that very net. How does that sit with you? Editor: That… that’s a bit unsettling. It completely reframes the initial impression of innocent leisure. Curator: Precisely! That’s the power of visual symbols. They seem straightforward, but hold multiple layers of interpretation depending on cultural context and the observer’s perspective. The image speaks not only of seaside amusements but of who is enjoying the amusement and what role is preformed in its visual circulation. Editor: I had just seen her as a stylish lady on vacation. I’m seeing so much more in the image now – like a story of social expectations. Thanks for showing me this! Curator: My pleasure. It’s these unearthed connections, the dialogue between past and present, that make studying art so rewarding.
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