Interieur van de Santa Maria Maggiore in Rome c. 1860 - 1880

This photograph of the Interior of Santa Maria Maggiore in Rome was taken by Giorgio Sommer. Sommer created a stereoscopic image, which uses two nearly identical images to mimic and thereby emphasize depth and three-dimensionality. The image is structured by the linear rhythm of columns receding into the distance, drawing our eye towards the altar. This directional use of line is reinforced by the orthogonal lines of the coffered ceiling and the floor tiles. This convergence creates a powerful sense of perspective and depth. The symmetry here is striking. Note how the architectural elements are mirrored. This mirroring not only enhances the three-dimensional effect but also suggests a search for balance and harmony. The stark contrast between the dark ceiling and the lighter floor amplifies the spatial illusion, highlighting the cathedral's vastness. Sommer's use of stereoscopy invites us to contemplate how the interplay of symmetry and perspective structures our perception of space.