Cupid Riding a Lion c. 18th century

Curator: Looking at "Cupid Riding a Lion" by Wedgwood, it feels quite delicate, almost like a tiny daydream. Editor: From a materialist perspective, Wedgwood's jasperware was revolutionary. This piece, only about 4 centimeters across, demonstrates the democratization of luxury through industrial techniques. Curator: Yes, but there's something whimsical about seeing Cupid, typically associated with softness, atop a lion. It's a bit cheeky, isn't it? A powerful symbol tamed by love. Editor: Exactly, the production process allowed for widespread distribution, and the imagery would have been a commentary on power dynamics and accessible classicism for the rising middle class. Curator: I like to think of it as a reminder that even fierce love has a playful side. Editor: And for Wedgwood, it was a masterstroke in production and distribution, cleverly bringing art to a broader audience.