Tideline 1961 - 1962

Curator: Right, let’s look at Prunella Clough’s intriguing piece, “Tideline”, held here at the Tate. What jumps out at you? Editor: Well, immediately, it’s the materiality. The textures suggest a process of layering and rubbing, hinting at the industrial landscapes she often depicted. Curator: Absolutely, there’s a sense of discovery here. It reminds me of finding a weathered stone on the beach, all muted tones and subtle variations. Editor: Precisely! The means of production feels central, like a forgotten process now exposed, almost archaeological. The circular motifs add a touch of whimsy, don’t you think? Curator: A little playful, perhaps, amidst the starkness. Clough had a knack for finding beauty in the discarded, hinting at the poetry within everyday objects. Editor: I like your reading of the artwork. It really helps to capture the essence of the object’s physical construction. Curator: It’s a pleasure to see the artwork in a new light. Editor: Indeed, each engagement provides fresh perspectives.