Two Studies of a Seated Male Nude Seen from the Back 1596 - 1602

Cherubino Alberti rendered these "Two Studies of a Seated Male Nude" in sanguine, sometime between 1553 and 1615. Observe how the male figure is depicted in dynamic poses, embodying the classical ideal of male beauty and strength. The raised arm, a gesture of reaching or supplication, echoes the “Adlocutio” motif found in Roman oratory and imperial art. Think of Augustus addressing his troops. This same gesture, laden with power, evolves through medieval depictions of Christ as Salvator Mundi, and resurfaces even in revolutionary propaganda, adapted for secular leaders rallying the masses. This seemingly simple sketch is tied to an ancient visual language. These repeated symbols become deeply embedded in our cultural consciousness, constantly evolving and echoing through history. The power of these images lies not just in their aesthetic appeal, but in their capacity to tap into the collective memory, stirring profound emotional and psychological responses.