Prentbriefkaart aan Renée Hélène Laure Zilcken by Hélène van Goethem

Prentbriefkaart aan Renée Hélène Laure Zilcken before 1923

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paper, ink, pen

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comic strip sketch

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hand-lettering

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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ink

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hand-drawn typeface

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pen-ink sketch

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pen work

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sketchbook drawing

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pen

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sketchbook art

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calligraphy

Editor: This is a postcard addressed to Renée Hélène Laure Zilcken, made with pen and ink on paper sometime before 1923 by Hélène van Goethem. The handwritten script really captures my attention – it makes me wonder about the personal connection between the sender and recipient. What feeling does the visual language of this postcard evoke in you? Curator: Looking at this card, I’m struck by the interplay of formality and intimacy. On one level, the act of sending a card is a public declaration, signified by the stamp – an emblem of state and communication. However, the personal message, scrawled in elegant script, carries an entirely different weight. It is the shared language of close friends, and offers an almost secretive exchange between the individuals, hinting at a social connection that could extend to include family networks and even an entire socio-economic group, which further contextualizes what otherwise might be considered just words on paper. Editor: That’s a really interesting point about the stamp creating both formality and connection. The handwriting gives it a more informal impression, yet that very skill in penmanship represents an educational achievement too, doesn't it? Curator: Exactly. Think about the cultural weight attached to handwriting, especially in that era. The carefully crafted letters speak to a specific form of literacy and education. A skill often reserved for a certain social strata and gender identity, handwriting here becomes symbolic of class and social connection. Do you notice anything else, perhaps in the address? Editor: The layers of address locations – the Eake Sono, Bezuidenhout, La Haye and Holland – I read it like a mapping of the places and connections. I am seeing an outline of Zilcken's networks beyond just that message. Curator: Precisely. The card creates a ripple effect from its simple surface. Editor: That's really expanded how I look at something as everyday as a postcard. Thank you. Curator: My pleasure. It is through these intimate traces that history truly comes alive.

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