Zes portretten van kennissen van Herman Besselaar en Berti Hoppe by Berti Hoppe

Zes portretten van kennissen van Herman Besselaar en Berti Hoppe c. 1930

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photography, albumen-print

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portrait

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photography

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historical fashion

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group-portraits

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genre-painting

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albumen-print

Dimensions height 236 mm, width 287 mm

Editor: So, this is "Zes portretten van kennissen van Herman Besselaar en Berti Hoppe," an albumen print dating back to about 1930. It gives me a sense of ordinary lives and captured memories. What strikes you most when you look at this compilation of photographs? Curator: This work really encapsulates the spirit of early 20th-century bourgeois life and leisure. What are the subjects doing in these photographs? We see them enjoying the outdoors, posing with family – seemingly unburdened by economic strife. But what about the context in which these images were produced? Editor: That’s interesting! I was just thinking about the individuals shown, without considering any broader implications. Curator: Exactly! The interwar period was rife with societal anxieties related to gender roles, class, and political power. This album of portraits is a highly constructed representation of a very particular segment of society, using leisure and personal connection as key visual signifiers. Consider how access to photography itself becomes a statement. How might the family structure, leisure activities, and the technology used to immortalize these moments reflect existing social hierarchies and gender expectations of the time? Editor: I didn't even consider how much these images reveal about the sitters’ socioeconomic background! It feels like I'm seeing a curated version of their reality, then, through a camera lens that both captures and constructs their identity. Curator: Precisely. Think about how identity and power intersect here – who is represented, how are they represented, and who is doing the representing? The mundane moments depicted can tell a deeper story. It makes me wonder whose perspective is centered and whose is excluded from this selective collection of portraits. Editor: Wow, you’ve totally shifted my perspective. It’s much more complex than just a collection of snapshots. Thanks! Curator: Of course. Hopefully you can view the historical image with fresh eyes!

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