Case (Inrō) with Design of Dragonflies 18th - 19th century

Editor: This is a very tactile piece! "Case (Inrō) with Design of Dragonflies," from the 18th or 19th century. It is relief-carved wood and metal, created by Mochizuki Hanzan. I immediately notice the incredible detail – how does the dragonfly image resonate culturally? Curator: The dragonfly, or "kachi-mushi" in Japanese, translates to "winning insect." Samurai often associated them with success in battle, seeing their forward-flying nature as symbolic of an unyielding spirit. How do you interpret the materiality in relation to this symbolism? Editor: Well, the combination of the natural wood grain and the meticulously crafted metal insects creates a fascinating juxtaposition. It feels both rustic and refined, warrior-like, and almost…precious. Curator: Precisely. Consider how the aged wood deepens the emotional impact. Time adds layers of meaning, wouldn’t you agree? The object transcends mere decoration. It becomes a tangible connection to history. The layered tiers suggest what, perhaps? Editor: Thinking of its function as an inrō, the stacked sections add another dimension, physically embodying layers, whether intentions, medicines, or memories carried by its owner. Is the dragonfly a common motif? Curator: Common, yes, especially amongst samurai. This object captures their worldview, a convergence of nature, status, and daily life, reminding us of a culture steeped in complex symbolism. And how those symbols endure, even today! Editor: It’s amazing to consider how much meaning can be packed into something so small and functional. Thanks, I'll be looking at Japanese art very differently now. Curator: My pleasure. Thinking about how symbols operate can add depth to anyone’s understanding and experience.