Shield by Tuareg

Shield c. late 19th century

tuareg's Profile Picture

tuareg

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natural stone pattern

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toned paper

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decorative element

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egg art

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pottery

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stoneware

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watercolour bleed

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earthenware

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armor

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decorative art

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watercolor

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arm

This Tuareg shield, made from leather and decorated with geometric patterns, is a testament to the artistic traditions of the Tuareg people. Dating back to the late 19th century, the shield features a central design of triangles, red and green enamel, and metal studs. The shield's form, with its distinctive shape and adornment, highlights the Tuareg's skill in crafting functional and aesthetically pleasing objects. Its presence in the Minneapolis Institute of Art collection provides valuable insight into the cultural heritage of the Tuareg people.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart about 1 year ago

African shields, while primarily functional objects used in warfare, also played a role as dance regalia during funerals and served as status objects and symbols of identification. Because they were often made for ostentatious display, their appearance—size, decoration, and materials—was of vital importance. As such, shields can be appreciated as sculptural expressions of creativity and craftsmanship, blurring the line between utilitarian skill and fine art. Displaying these four shields from different parts of Africa in the round allows one to see details inside. The light-colored shield, made of antelope skin in the 1800s, belonged to an aristocratic warrior of the Tuareg, a people who live throughout the Sahara region of northwestern Africa. The incised cross motif in the center may be an invocation in the Tuareg script that empowers the shield to protect its owner against the evil eye and the weapons of his enemies. The dark-colored shield is also of hide, but from the hippopotamus. Owned by a Nuer cattle herder of the Republic of South Sudan, it has an asymmetrical surface decoration of bumps that mimics the scarification pattern the Nuer used on their bodies and faces.

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