Miss Shery, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Miss Shery, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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drawing, print, photography

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portrait

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drawing

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still-life-photography

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pictorialism

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print

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photography

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Editor: Here we have "Miss Shery," a print from the Actresses series made around 1890 by Kinney Brothers. It's quite sepia-toned and small, depicting the actress in profile. I find the details of her feathered hat and veiled chin really intriguing, but what's the bigger picture here? How should we interpret a work like this today? Curator: Well, it's important to remember that this photograph served a dual purpose: art and advertisement. While ostensibly a portrait, it's inherently intertwined with commerce, promoting Sweet Caporal Cigarettes. The series itself can be understood as participating in the commodification of female celebrity, reinforcing prevalent social norms and expectations around femininity during that era. How do you see her representation connecting with ideas of idealized womanhood at the time? Editor: That makes a lot of sense. I guess I was focusing on the art historical elements, but completely overlooked its link to marketing! Thinking about it, there's a real tension between objectification and perhaps even female agency, considering that "Miss Shery" was, herself, a public figure. Curator: Exactly. Consider how mass media participated in constructing these personas, offering limited avenues for women while simultaneously reinforcing societal power structures. The soft focus typical of Pictorialism further romanticizes and arguably contains the sitter. Does analyzing its status as commercial ephemera alter our view of "Miss Shery" as a subject, or potentially a subversive figure? Editor: That really reframes it for me. Seeing this image as an active participant in cultural messaging is fascinating. It’s a reminder to always consider context, especially around the issues of representation and commerce. Curator: Indeed. It invites critical reflection on how women are portrayed and the forces shaping those portrayals, both historically and today. Recognizing these nuances adds depth to how we appreciate even seemingly straightforward images.

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