Textile of George Washington 1935 - 1942

Editor: So, this piece is called "Textile of George Washington," made sometime between 1935 and 1942 by Byron Dingman. It’s… intensely patterned, isn't it? Like a vintage handkerchief. The patriotic imagery feels both familiar and strangely… overwhelming? What do you make of it? Curator: Overwhelming is a good word. It vibrates with a kind of folk-art energy, doesn’t it? All those tiny stars, the repeated eagles… it almost overwhelms the central figure of Washington himself. Notice how Dingman, the artist, signed at the very bottom, in the lower left. Have you considered how the artist employs drawing and textile to evoke meaning? Editor: It's interesting how Dingman signs with the others mentioned such as Cunningham and Farmer. Maybe all collaborated to the same artwork. It looks more like a drawing reproduced on a textile... I'm intrigued by the way history and domesticity intersect here. Is it simply patriotic decoration, or is there something more going on? Curator: I wonder if it’s about claiming ownership of American history, making it tangible and part of everyday life. Or perhaps it’s a commentary on the industrialization of patriotism. The way everything is repeated and mirrored almost feels…manufactured. Are you sure it is printed? Because this textile looks more like an handcraft item than mass production, to me! Editor: Now that you mention it, I think you're right. Each element is slightly different than its pair. Also, this idea of manufactured patriotism makes me wonder if it relates to anxieties during that pre-war period, as there were difficult political changes at that time. Curator: Exactly! It's both a celebration and perhaps, a subtle critique. I am delighted that such a peculiar work like this exists to be puzzled about by enthusiasts such as us. Editor: Me too! It’s definitely given me a lot to think about! I mean, the more intricate, delicate parts look really carefully worked. This dialogue really encouraged us to observe and think!