Number Eight 1968

Editor: Here we have Erté’s "Number Eight" from the Tate Collections. The figures are androgynous and quite striking. How do you interpret this work, considering its materiality and production? Curator: This is a print, so it’s vital to consider the reproductive technology involved. It democratizes the image, making it accessible beyond the elite. Furthermore, note the smooth, almost industrial finish; it points to a blurring of boundaries between fine art and mass production. What do you think that says about Erté's intentions? Editor: That’s fascinating, I had not thought of it in that way! Curator: Considering Erté's background in fashion, this piece highlights the commercial aspects of art. It makes me wonder about the targeted consumer. Editor: Thanks for illuminating the socioeconomic implications of Erté's production choices!