Student of Aisha Om el Mo’minin School for Girls. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani by  Akram Zaatari

Student of Aisha Om el Mo’minin School for Girls. School courtyard, Saida, Lebanon, 1948-49. Hashem el Madani 2007

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Dimensions: image: 228 x 150 mm

Copyright: © Akram Zaatari, courtesy Hashem el Madani and Arab Image Foundation, Beirut | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Akram Zaatari presents us with Hashem el Madani’s “Student of Aisha Om el Mo’minin School for Girls. School courtyard, Saida, Lebanon, 1948-49.” Editor: There's an undeniable melancholy to this black and white photograph. It almost feels like a film still, a young girl with a chair against a stark wall. Curator: Indeed. The chair is the focal point, bisecting the composition, a rigid form juxtaposed with the girl's soft features. Note the texture of the stone courtyard too. Editor: The image speaks volumes about gender and education in post-colonial Lebanon. The girl's posture, the school uniform, the very setting—it all evokes a sense of constrained potential. Curator: Perhaps, but also potential itself. The careful arrangement of forms creates a sense of stability, of poised stillness before action. Editor: Ultimately, this photograph offers an evocative glimpse into a specific historical and cultural moment, inviting us to reflect on themes of identity, opportunity, and representation. Curator: It certainly encourages a dialogue on the relationships between subject, object, and photographic representation.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/zaatari-student-of-aisha-om-el-mominin-school-for-girls-school-courtyard-saida-lebanon-p79433

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tate 2 days ago

“The school was headed by Nafissa Kotob, who was the aunt of my friend Sami Kotob. She would ask me to photograph the students twice a year. I would request them to bring me a chair and a table in order to articulate the space of the picture - this was especially important when more than one person was in the frame. Girls from wealthy families purchased their uniforms at the beginning of the year, whereas others would often wait until the middle of the year.” Gallery label, June 2011